“Love is eternal, the path to love isn’t”. The film revolves around a couple, Regine Olsen and Man Ray, who are two artists living in exile. A strange stillness surrounds the couple as they are followed by a mysterious spectator, Gaze, for reasons that aren’t apparent to them. The film is an aftertaste of suspended movement and electrified stillness where the characters undergo a classical mode of portraiture. The questionably human subjects are on the verge of being absorbed into a static life, yet they hint signs of passion and aggression. Existing in a world where identities are subverted, the film is also a form of psychodrama where the ‘actors/humans’ playing ‘characters/humans’ are themselves unaware of phasing in and out of their respective roles. They are incongruously melancholic for no apparent reason.