I was trying to imagine the process of nature waking up, beginning with a seed, that then slowly transforms itself into a seedling. So, we begin with a frozen environment that encapsulates the seed – it seems trapped and immobilised by the icy world. Then gradually it starts to warm up and defrost, fighting with the power that has been holding it frozen.

I collected small pieces of plants and leaves, submerged them in water and put them in my freezer. Then I observed the process of defrosting, filming it in timelapse. The technical approach has turned into a form of meditation and confrontation with time. Time-lapse by its nature involves recording long periods of time and changes that happen within the period wouldn’t be normally visible to the naked eye. So in a way it transforms the standard perception of time. You need to sit tight and wait, almost meditating for hours in order to see your final shot.

The second part of the video when the music grows was filmed in timelapse with the infrared camera. By using Infrared I wanted to push the idea of a seed perceiving the world around it even further: IR light isn’t visible to our eyes. The IR filter had cut out most of the visible light (400-700nm) and I was left with a fraction of it (720nm), visible only by extending the exposure time to 2 min per frame. As a result I was able to see a very narrow spectrum of light which is close to the infra-red frequency: a different aspect of electromagnetic radiation that surrounds us.

The post-production process was made on Autodesk Flame and I used a shader to project and manipulate images mapped inside a sphere. It completed my idea of simulating a point of view of a little seed.