‘There Is A Willow Grows Aslant A Brook’, journeys into the forest at night, where corporeal memories are unveiled and (re)discovered. Concrete spaces suppose a barrier between corporeal experience and dreams. Stillness delineates limits between the female body and violence of constructed spaces, whilst action and movement confuses those limits, creating the illusion of eliminating the physical presence. It is through both forms of existence that the film makes sense of the feminine experience. The camera fluctuates between those spaces and the forest, where nature allows us to navigate its dreams. The film stares into a void, which, if one looks into closely, they will see themselves reflected at the bottom.